Sabtu, 28 April 2012

Download PDF Pretty Broken Girl: An Unconventional Love StoryBy Jeana E. Mann

Download PDF Pretty Broken Girl: An Unconventional Love StoryBy Jeana E. Mann

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Pretty Broken Girl: An Unconventional Love StoryBy Jeana E. Mann

Pretty Broken Girl: An Unconventional Love StoryBy Jeana E. Mann


Pretty Broken Girl: An Unconventional Love StoryBy Jeana E. Mann


Download PDF Pretty Broken Girl: An Unconventional Love StoryBy Jeana E. Mann

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Pretty Broken Girl: An Unconventional Love StoryBy Jeana E. Mann

2016 eLit Gold Medal Award in Erotic Fiction.
Love isn't always pretty. Sometimes you have to break the thing you love in order to put the pieces back together again.

"Life is all about choices. Do I want pizza or a hamburger for dinner? Should I wear a red skirt or blue slacks to work? Do I take a million dollar check and divorce the love of my life to keep my baby brother out of jail? In case you're wondering, I took the check. Now my ex is back in my life. He's still angry and...he's my new boss."

Pretty Broken Girl is the passionate retelling of a marriage gone wrong.

From the boardroom to the bedroom, Dakota Atwell and Samuel Seaforth are locked in a battle of wits and desire. One of them will break. One of them will pay. Both of them want to win. Neither of them expects to fall in love…again.

This is Book 1 of 5 in a series. It contains adult language, adult situations, and hot steamy sex with a HFN ending. Although it can be read as a standalone, it will be much more enjoyable when read with the other books in the series.

Pretty Broken Girl - Book 1
Pretty Filthy Lies - Book 2
Pretty Dirty Secrets - Book 3
Pretty Wild Thing - Book 4
Pretty Broken Promises - Book 5 (Release Dec 2016)

  • Published on: 2015-09-28
  • Released on: 2015-09-28
  • Format: Kindle eBook

Review
"Mann's erotic romance is a pleasant surprise in a crowded genre. The strongest elements of the novel are its unusual, multilayered narrative structure and solid character development...Erotic and emotionally charged, the nuanced narrative elevates this office romance." --Kirkus Reviews
"An angsty, second chance love story with an old-fashioned category romance feel to it...a well-written and enjoyable read."   --RT Book Reviews
"This is the first book I've read by this author and I loved it! I couldn't put it down. It grabbed me within the first chapter and held my attention the whole way through."   --Kindlebookaddictmom

From the Author
I hope you enjoy this tale of second chances.For more Pretty Broken books, you might try:

  • Pretty Filthy Lies
  • Pretty Dirty Secrets
  • Pretty Wild Thing
  • Pretty Broken Promises (release Dec 2016)
Other books you might like:The Felony Romance Series
  • Intoxicated (Cleveland Rocks Award - Erotic Romance)
  • Unexpected
  • Vindicated
  • Impulsive
  • Drift

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Minggu, 08 April 2012

PDF Download Court-Martial: How Military Justice Has Shaped America from the Revolution to 9/11 and BeyondBy Chris Bray

PDF Download Court-Martial: How Military Justice Has Shaped America from the Revolution to 9/11 and BeyondBy Chris Bray

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Court-Martial: How Military Justice Has Shaped America from the Revolution to 9/11 and BeyondBy Chris Bray

Court-Martial: How Military Justice Has Shaped America from the Revolution to 9/11 and BeyondBy Chris Bray


Court-Martial: How Military Justice Has Shaped America from the Revolution to 9/11 and BeyondBy Chris Bray


PDF Download Court-Martial: How Military Justice Has Shaped America from the Revolution to 9/11 and BeyondBy Chris Bray

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Court-Martial: How Military Justice Has Shaped America from the Revolution to 9/11 and BeyondBy Chris Bray

A timely, provocative account of how military justice has shaped American society since the nation’s beginnings.

Historian and former soldier Chris Bray tells the sweeping story of military justice from the earliest days of the republic to contemporary arguments over using military courts to try foreign terrorists or soldiers accused of sexual assault. Stretching from the American Revolution to 9/11, Court-Martial recounts the stories of famous American court-martials, including those involving President Andrew Jackson, General William Tecumseh Sherman, Lieutenant Jackie Robinson, and Private Eddie Slovik. Bray explores how encounters of freed slaves with the military justice system during the Civil War anticipated the civil rights movement, and he explains how the Uniform Code of Military Justice came about after World War II.

With a great eye for narrative, Bray hones in on the human elements of these stories, from Revolutionary-era militiamen demanding the right to participate in political speech as citizens, to black soldiers risking their lives during the Civil War to demand fair pay, to the struggles over the court-martial of Lieutenant William Calley and the events of My Lai during the Vietnam War. Throughout, Bray presents readers with these unvarnished voices and his own perceptive commentary.

Military justice may be separate from civilian justice, but it is thoroughly entwined with American society. As Bray reminds us, the history of American military justice is inextricably the history of America, and Court-Martial powerfully documents the many ways that the separate justice system of the armed forces has served as a proxy for America’s ongoing arguments over equality, privacy, discrimination, security, and liberty.

  • Sales Rank: #552618 in Books
  • Published on: 2016-05-17
  • Released on: 2016-05-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.60" h x 1.40" w x 6.50" l, .0 pounds
  • Binding: Hardcover
  • 416 pages

Review
"Don't be scared away from a topic that you fear would be as dry as a bowl of shredded wheat. Bray's book has a cogency that will floor those in the justice field, written with verve and immediacy that will captivate the novice. A brilliant read that entertains as well as illuminates." (Joseph D'Alessandris, Leatherneck)

“[Chris] Bray, a former sergeant turned military historian, helps put the lie to the idea that law is a recent arrival on the battlefield. He rightly sees law as a weapon that has powerfully shaped the way America has fought its wars, from the Revolution to the present day.” (John Fabian Witt - Wall Street Journal)

“[An] impressively researched, well-written, and thoroughly entertaining account of military justice in U.S. history. . . . What one repeatedly sees in Court-Martial is a military justice system which, for all its shortcomings, has played an integral role in helping America discover its best self.” (Mike Fischer - Milwaukee Journal-Sentinel)

“An absorbing chronicle of American justice, short of legalese, that will provide grist for discussion in both civilian and military contexts.” (Library Journal, starred review)

“In his first book, a former infantry sergeant-turned-historian surveys more than 200 years of the administration of American military justice. . . . A thoroughly impressive debut.” (Kirkus Reviews, starred review)

“Bray, a historian and former U.S. Army infantry sergeant, explores a neglected aspect of American legal and social history . . . in this persuasive study of the relationship of military courts-martial to broader social questions.” (Publishers Weekly)

“With a sharp eye and a dry wit, Chris Bray gives us a page-turning tour of court-martial cases that reveal the fundamental questions, values, and debates that have shaped American history. A fantastic book.” (Lorien L. Foote, author of The Gentlemen and the Roughs)

“Chris Bray has written a fascinating book about the role of military justice in American history. Drawing on his experience as a soldier and his training as a historian, Bray offers a lively and compelling account of how military decisions have shaped American law and life from the Founding Era to the War on Terror. This is a story that every American should know and understand.”” (Jonathan W. White, author of Emancipation, the Union Army, and the Reelection of Abraham Lincoln)

From the Author
This book tells big, dramatic stories about the history of the American military. You'll read about the gun battle between black soldiers and white police officers in Houston during World War I, and the mass trials and hurried group execution that followed. You'll get the story of the captured Sioux warriors who were tried by a military commission during the Civil War, men on trial for their lives who didn't speak English and didn't know they were on trial -- until after they were sentenced to death for killing unprotected settlers. And you'll learn about the desperation of the Modoc warriors who ambushed unarmed American soldiers who had come to negotiate with them, another event that led to a flawed trial and the hurried construction of shared gallows.

These are just a few examples of the events I describe. My goal with this book was to ground serious history and a careful exploration of ideas with real storytelling. I put events and people in the foreground.

Alongside stories of the way military courts addressed military conflicts and served the political purposes of the armed forces, you'll read about the way that larger social and political conflicts reached into the world of the armed forces and changed the way military discipline worked.

During the first half of the nineteenth century, for example, flogging was a centerpiece of the way the U.S. Navy disciplined ordinary sailors. When Congress banned naval flogging in 1850, their decision reflected an entirely unrelated controversy: Abolitionists took up brutal navy punishments as a way of attacking slavery, drawing a connection between forms of harsh physical coercion. When Congress voted, the roll call in both houses broke down along sectional lines: Northerners mostly voted to ban naval flogging, while Southerners -- offended by the presence of abolitionists in the debate -- voted against the ban. The American debate over slavery changed the way the navy could discipline its personnel at sea.

For another example, consider dueling. The Articles of War forbade both dueling and a range of associated offenses -- like serving as a second, or challenging another soldier to duel. During the Civil War, the War Department in the North issued regulations expanding the meaning of a "duel" to mean any challenge to fight between any soldiers, including privates.

But the gentlemen officers who served on courts-martial refused to consider a challenge between privates to be part of a "duel." They arrived believing that only gentlemen could actually duel, and only if they went through the correct ritual forms like the appointment of a second. Mere privates and sergeants, not being gentlemen, couldn't challenge each other to duel -- they could only challenge each other to fight to the death, which didn't count. They acquitted defendants who were charged with dueling but lacked the necessary social status to actually participate in the social ritual of the duel, and it didn't matter that War Department regulations said something different. Social knowledge trumped legal regulations.

These are the kinds of stories you'll read in this book. I hope you'll enjoy them, and I hope you'll find some American history that will be new to you. Thanks for reading.

About the Author
Chris Bray, a former infantry sergeant in the United States Army, holds a PhD in history from UCLA. His writing has appeared in the Washington Post, the Wall Street Journal, the Los Angeles Times, and the Chronicle of Higher Education. He lives in Los Angeles.

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Minggu, 01 April 2012

Download Ebook After Photography, by Fred Ritchin

Download Ebook After Photography, by Fred Ritchin

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After Photography, by Fred Ritchin

After Photography, by Fred Ritchin


After Photography, by Fred Ritchin


Download Ebook After Photography, by Fred Ritchin

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After Photography, by Fred Ritchin

Review

“Starred Review. A supple, politically astute and fascinating account of the dizzying impact of the digital revolution on the trajectory of the photographic image.” - Publishers Weekly

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About the Author

Fred Ritchin is the director of PixelPress and a professor of photography and imaging at New York University. He was named one of the 100 most important people in photography by American Photo magazine. He lives in New York City.

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Product details

Paperback: 200 pages

Publisher: W. W. Norton & Company; 1st edition (February 15, 2010)

Language: English

ISBN-10: 0393337731

ISBN-13: 978-0393337730

Product Dimensions:

6.6 x 0.6 x 9.1 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#421,853 in Books (See Top 100 in Books)

My favorite Ritchin's book.

I am looking forward to getting my teeth into this book. This was suggested by a professor of mine. Study and ye shall learn.

Photographers certainly know how to simplify their subjects and how to put a frame around a portion of the world so that nothing impinges on their image. However, perhaps because they look at the world through a viewfinder, they sometimes seem to miss not only the larger world around them but the place of their photography in that larger world.Fred Ritchin, who teaches photography at N.Y.U., believes that the method of capturing images changes the world and that the world changes the method of capturing images. In a some times rambling essay, the author looks at various aspects of photography, with an emphasis on the changes wrought by the digital world. On the one hand he decries the easy malleability of the digital image, and on the other sees opportunity for greater understanding through the digital photograph. He explores possible uses of digital media in the future in ways that reminded me of the world of Neal Stephenson's 1992 science fiction novel "Snow Crash (Bantam Spectra Book)". (The Wall Street Journal recommended reading "Snow Crash" for a view of the future; better hurry up before that book is overtaken by events.)Ritchin complains about the uses of digital media as a means of invading privacy and at the same time suggests that its use can aid humanitarian causes. Although he sees the possibility of either, or both, great benefits and great costs, he does not suggest what photographers can do to direct digital media toward the benefits. Furthermore, after exploring many bold possibilities, he seems to come down for the use of photography on the internet in sites that give the viewer options in how to examine the pictures presented by hidden captions or links of portions of pictures to other sites or similar techniques. It seems a simple direction for a book that aims at lofty goals for digital photography.Ritchin is primarily concerned about the world of documentary photography and ignores the role of the digital in art photography, although I suppose that his interest in websites that present the viewer with options to follow could be bent to artful use as well as documentary.While a well turned phrase is always appreciated, often the author's prose turns purple, or takes a flight of fancy, as when he suggests engaging an image of his long-dead grandmother in conversation.The book is interesting and makes some valid points, but on the whole, it looks like the author had collected notes over the years and decided that no thought could remain unuttered. It will be hard for photographers, viewers and students of media to develop a useful picture of the role of photography in the future from this book.

Ritchin provides great examples of innovative uses of photography with new media today (web sites, artist's projects...) although he doesn't suggest much as to 'what's next.' He lays out important questions about authenticity with regard to digital photography and the 'truth' behind a photograph. He explains what he calls 'hyperphotography' as the new interactive web based format for photographs. I don't know if his idea about scrolling over a photo to 'see more' will catch on but he definitely got me thinking about the potential for new technologies in photography. This was an interesting read and I appreciate the reproduction of some great photographs.

This is a fascinating look at the future of still imaging. I hesitate to use the term photography because photography as we know it is moving toward the same state as oil painting or watercolors. The creation of a still image using silver halides or bleached silver halides and dyes has moved from a mainstream activity to a niche activity performed by wild haired artists with berets and goatees. This book explores that and what it means to the idea that a photograph reflects reality (and delves into exactly what reality is, and how stills reflect differing views of reality).This book is a must read for people interested in the future of still imaging, and interested in shaping and participating in that future.

I enjoy this book. I arrived on time.

I got the book quickly - within a week - and it cost a fraction of what the school bookstore was charging. Not to mention the book came to me in better quality than stated. It's practically new. I will never purchase books at the school bookstore again.

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